The Great British Art Tour: a blood-tinged scene of merciless revenge – The Guardian

Worcester City Museums Clytemnestra portrait by the pre-Raphaelite painter John Collier lights up among the most long-lasting of the Greek myths. In order to calm the goddess Artemis and safe and secure beneficial passage as he started his Trojan exploration, Agamemnon, king of Mycenae, sacrifices his daughter Iphigenia.Her grief-stricken mother Clytemnestra was depicted by Greek tragedians– and by artists for centuries afterwards– as implacable and vengeful, and Collier records her in the minutes following her murder of her husband.Clytemnestra by John Collier, c. 1914. She stands as if in a pregnant moment of fading yet effective feeling, the only sign of motion the path of blood leading the viewers eye off-stage to the scene of her crime. (She stabbed her husband as he was taking a bath.) The feeling of Colliers topic is an ironic parallel to the wild and unpitying wrath of Artemis, the goddess of the hunt to whom Clytemnestras daughter was sacrificed, and likewise records something of the goddesss physicality. Her unclothed chest reminds us of her motherhood and the nature of her vengeance. It likewise functions as a portent of Clytemnestras vulnerability, as she is herself murdered years later by her child Orestes.
At almost 2 and a half metres in height, the painting is too big to navigate some of the doorways in Worcester City Art Gallery and Museum. And so, proper to the contrasting aspects of her character, Clytemnestra needs to first be gotten rid of from her frame and the two elements carried individually whenever she is moved.Its most likely that the painting, which was talented to Worcester in 1939, was finished throughout the first year of the first world war, offering its styles of violence and justice added poignancy. – You can see more art from Worcester City Museums on Art UK here, and find out more on the museums site. – This series is created in partnership with Art UK, which brings the countrys art together on one digital platform and informs the stories behind the art. The website reveals works by 50,000 artists from more than 3,000 venues, consisting of universities, museums and health centers in addition to thousands of public sculptures. Discover the art you own here.

Thu 14 Jan 2021 06.00 GMT

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The Great British art trip
With public art collections closed, we are bringing the art to you, exploring highlights and concealed gems from throughout the nation in collaboration with Art UK. Todays pick: Worcester City Museums Clytemnestra
Kate Banner, curatorial and exhibits assistant, Museums Worcestershire

In order to calm the goddess Artemis and safe and secure beneficial passage as he embarked on his Trojan exploration, Agamemnon, king of Mycenae, sacrifices his child Iphigenia.Her grief-stricken mother Clytemnestra was portrayed by Greek tragedians– and by artists for centuries later on– as implacable and vengeful, and Collier catches her in the minutes following her murder of her husband.Clytemnestra by John Collier, c. 1914. At nearly two and a half metres in height, the painting is too large to browse some of the doorways in Worcester City Art Gallery and Museum. – You can see more art from Worcester City Museums on Art UK here, and find out more on the museums site. – This series is developed in partnership with Art UK, which brings the countrys art together on one digital platform and informs the stories behind the art. Discover the art you own here.

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