Stardust review – David Bowie biopic has no sparkle – The Guardian

Biopics
This clumsy fictionalised account of Bowies developmental first United States tour is as pedestrian as its topic was impressive

Except he just has a tourist visa and so hes not supposed to carry out– hassle-free, given that the film-makers were unable to secure the rights to any of Bowies initial music.Its omission is significantly uncomfortable, with Flynn doing inert variations of tracks Bowie covered, such as Jacques Brels My Death, as a clumsy workaround. The narrative centres around an apparently formative roadway trip Bowie took with his American press agent Ron Oberman (Marc Maron), recommending that encounters with Andy Warhol and the Velvet Underground assisted offer birth to Bowies modify ego Ziggy Stardust.Troublingly, flashbacks that look at Bowies relationship with his half-brother Terry Burns (Derek Moran) indicate that the vocalists family history of psychosis also played a considerable part in the development of his onstage personality.

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The year is 1971 and David Bowie (Johnny Flynn) is about to embark on his first US tour. Other than he only has a tourist visa and so hes not expected to carry out– convenient, provided that the film-makers were unable to secure the rights to any of Bowies initial music.Its omission is noticeably awkward, with Flynn doing inert versions of tracks Bowie covered, such as Jacques Brels My Death, as a clumsy workaround. The narrative centres around a supposedly developmental road trip Bowie took with his American press agent Ron Oberman (Marc Maron), suggesting that encounters with Andy Warhol and the Velvet Underground helped give birth to Bowies change ego Ziggy Stardust.Troublingly, flashbacks that look at Bowies relationship with his half-brother Terry Burns (Derek Moran) imply that the singers family history of psychosis also played a considerable part in the development of his onstage persona. A title card indicates that the film is fictionalised and so possibly shouldnt be scrutinised for fidelity. Still, the entire thing feels strangely pedestrian, unable to catch or carry Bowies radical spirit.Watch a trailer for Stardust

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