Another rocky road: UK theatre bosses eye 2021 with resilience and realism – The Guardian

We will not do work that is comforting or safeNikolai Foster, Curve, LeicesterLast year we cancelled 5 productions which was heartbreaking however we learned a lot about durability and are so determined now. There is no way we went through the living hell of 2020 to do work that is safe or comforting. We have gotten a grant from the Arts Council of Wales and are developing an area where freelance artists can invest time with the young individuals that social services work with, so that together they can inform us what it is that they need.There are two other significant projects: the last design phase of our capital redevelopment, which is a total reimagining of our building; and becoming an independent trust from April, allowing us to be much more fleet of foot. Its likewise about seeing that the pandemic has actually disproportionately impacted certain people and making sure everybody feels consisted of in what is their civic space.Roy Alexander Weise, Royal Exchange, ManchesterWe feel excited and positive however it is tough to start the year with conversations about potential lockdowns which might affect when we were planning to open, so we have to work even harder to construct momentum and hope. Our job as programmers is to give someone a magnifying glass to permit them complete rein to examine something, have a conversation with an audience and invite them to look at the world through their point of view.Were even more committed to bringing neighborhood engagement work to the fore.

Culture in danger
Artistic directors at four places expect what difficulties this year may bring

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We will not do work that is comforting or safeNikolai Foster, Curve, LeicesterLast year we cancelled five productions which was heartbreaking but we learned a lot about durability and are so determined now. Due to the fact that there are no certainties, we are working on two variations of whatever. There is no method we went through the living hell of 2020 to do work that is soothing or safe.
We have a wonderful outside space.The thing we are most proud of is we have kept making work, even when it hasnt been able to occur in its full kind, or at all. We have received a grant from the Arts Council of Wales and are developing a space where freelance artists can invest time with the young people that social services work with, so that together they can tell us what it is that they need.There are two other major projects: the last design stage of our capital redevelopment, which is an overall reimagining of our structure; and becoming an independent trust from April, allowing us to be much more fleet of foot.We wont pull up any drawbridges” The most crucial thing is to be investing in work that is appropriate and vibrant … the Royal Exchange, Manchester.
Its likewise about discovering that the pandemic has disproportionately affected specific people and making sure everybody feels included in what is their civic space.Roy Alexander Weise, Royal Exchange, ManchesterWe feel ecstatic and positive but it is challenging to begin the year with conversations about possible lockdowns which may impact when we were planning to open, so we have to work even more difficult to develop momentum and hope. Our job as programmers is to provide somebody a magnifying glass to allow them full rein to examine something, have a discussion with an audience and welcome them to look at the world through their point of view.Were even more dedicated to bringing community engagement work to the fore. One of the biggest aspirations we have is to bring parity to the methods in which work with specialists and non-professionals is valued within our sector.
It is most likely we will do another outside season since it went actually well last year and offered out in 24 hours. The on-off nature of production last year suggested we had to dig ourselves out of numerous lockdowns and the effect on the organisation has been extensive. Im nervous about how this year is going to play out; the Department for Digital, Culture, Media and Sport and Arts Council England are being positive about raising limitations but we have to be sensible to avoid the consistent cycle of cancelling or postponing shows.A year from now, we will still be standing however the concern is how terribly damaged our organisation, and the industry, will be.

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